FOUR FEATHERS PRESS ONLINE EDITION: DEAD DAYS Send up to three poems on the subject of or at least mentioning the words dead and/or day, totaling up to 150 lines in length, in the body of an email message or attached in a Word file to donkingfishercampbell@gmail.com by 11:59 PM PST on November 15th. No PDF's please. Color artwork is also desired. Please send in JPG form. No late submissions accepted. Poets and artists published in Four Feathers Press Online Edition: Dead Days will be published online and invited to read at the Saturday Afternoon Poetry Zoom meeting on Saturday, November 16th between 3 and 5 pm PST.

Wednesday, November 13, 2024

Hedy Habra

That Day in Heliopolis


At the movies, 

I'd nest my head in his jacket,

his voice would slow

my heartbeat.

"Don't be afraid,

it is not real."  


We rode camels at the Pyramids.

At the Palmyra café, he put

Backgammon pawns in my palms.

Everyone complained,

"You're spoiling the little brat."


At school, they threw me 

off the team that day.

I was useless, they said,

"What a baby," someone said.

"Leave her alone,

she's crying because 

her father is dead."


I waited all-day

to come back home.

I understood

the black dress,

the pale, thin lips,

the pink Salon glittering,

shining like a monstrance...


"Is it true what they said?

Isn't he coming back?"

The lips moved...



First published by Negative Capability

From Tea in Heliopolis (Press 53 2013)




A Glimpse of Fall                                      


My Art teacher says,

"Never paint a tree

in Spring or Summer,

paint them nude,

when you can see them 

embrace each other,

when their antlered arms 

raise in different directions."  

 

It's too cold to paint 

outdoors where the river 

begins to melt under 

ducks' emerald green.


I'm glad the next-door 

neighbors didn't build. 

Their tall crackled oaks 

will be mine a while longer

still covered with 

shriveled sandy-ochre leaves. 


Leaves dry, cling 

to their old birthplace. 

I think of my mother 

who always wanted 

to be buried in Egypt 

besides her husband, mother, 

in their family vault. 

Now, she'll be buried 

in the New World.


When I'd tell her,

"I'm taller than you 

now," she'd say,

"Don't you know people 

shrink with age?  I wasn't 

always like this."


I try to pull the crisp 

auburn leaves, one by one. 

They look old, dead, 

but alive inside.

They won't give up 

until a new leaf 

pushes them aside.



First published by Negative Capability

From Tea in Heliopolis (Press 53 2013)




I had Never Seen a Dead Man Before

Until my father-in-law died that summer in Tucson, Arizona


He seemed to sleep 

in his suit and tie,

expressionless, 

the color of death freezing

his shrunken features,

almost youthful in his eighties

as if an artist's pencil 

performed a final facelift, 

inverting lines

for a last farewell.


I knelt on the velvet 

rest in prayer.

thinking of the fig tree 

we once planted together, 

of how he always 

saved the juiciest fig

for me: "Here," he'd say 

"This one's from your tree... 

see how well I care for it?" 


 


I felt a pang in my chest,

leaped years and years back

to a January morning: a young

child, taken away for the day,

only to return to a house

filled with absence,

where all had forgotten

how to smile.

I was never told what had 

happened that day, 

in Heliopolis. “Your father 

is in the hospital,” they said.  


I awaited your return, 

week after week,

unable to understand

the silent procession, 

charcoaled silhouettes 

shading spaces

once forbidden to

our clumsy hands, 

beveled doors 

now wide-open,

black skirts hiding pink 

damask silk, flowing 

over gilded Louis XVI

chairs and Bergères

like a flock of Egyptian

ravens, threatening 

my caged love-birds

placed at the balcony edge.



First published by Sukoon Literary Magazine


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