FOUR FEATHERS PRESS ONLINE EDITION: DEAD DAYS Send up to three poems on the subject of or at least mentioning the words dead and/or day, totaling up to 150 lines in length, in the body of an email message or attached in a Word file to donkingfishercampbell@gmail.com by 11:59 PM PST on November 15th. No PDF's please. Color artwork is also desired. Please send in JPG form. No late submissions accepted. Poets and artists published in Four Feathers Press Online Edition: Dead Days will be published online and invited to read at the Saturday Afternoon Poetry Zoom meeting on Saturday, November 16th between 3 and 5 pm PST.

Wednesday, November 13, 2024

Connie Johnson

All That’s Revealed


Your cocked hat 

And your lopsided grin 

The bliss you promise

Your deliverance 


We’re a long way from home 

We are currency, truth untold

We are the grits and the grease in the 

Skillet; we are the gin and the sin

And the sizzled relief


At the end of the day

Amidst the trembling 

Lights, you swallow all the 

Tears that baptized you;


And as the haints bay

At your windows so emphatically,

You come away triumphant

Transformed


We search for home; we’ll know 

What to do when we get there  

A smoky haze, an enclave of

Of lilies and dianthus


You live by the words that describe us;

They’re just R&B: Regrets & bygones

Pen the lines from your vault and I’ll sing them 

Like a soul provocateur prepared to reveal all:

 

I know a lot about secrets 

Oh and I definitely know what is true 

One day you’re going to tell somebody 

Who I am and what I am to you  




Telephone 


I answer the phone.

I make telemarketers reconsider

Their career choice.


I put one foot in front 

Of the other. I make 

Grown men cry. 


Nothing seems to defeat 

Me. Though I know the proverbial shoe 

Will drop one day.   


In the meantime I stay barefoot: 

(can’t be too careful 


Who prophesized this world in which I reside?  

Not me. 


I wanted something different for myself.


Like your voice on the other end of the telephone. 

& all the time in the world in which to answer.




On the Day That You Forgot Me 


your two-step became suddenly 

elevated into jump blues / membrane 

and lifeblood became part of your 

discontented rituals   


I became your vest-style frottoir

you became the processed hair 

of Clifton Chenier 


I learned what it meant to be 

open-handed but eternally empty 


I learned all the words 

to The Blue Angel Club 


I left the soul of myself in Louisiana

I left the dregs of myself in the Sazerac 

you still sip  


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